AI-native film & IP production

AI-native film & IP production

Hit-driven cinema.
Indie budgets.
Built to return.

Hit-driven cinema.
Indie budgets.
Built to return.

Hit-driven cinema.
Indie budgets.
Built to return.

Original features, animation, and series. New titles every quarter. Open for distribution, licensing, and co-production.

Original features, animation, and series. New titles every quarter. Open for distribution, licensing, and co-production.

Original features, animation, and series. New titles every quarter. Open for distribution, licensing, and co-production.

Made by people.
Produced with AI.

Made by people.
Produced with AI.

Made by people.
Produced with AI.

A new format of cinema.

We call it Electronic Cinema.

A new format of cinema.

We call it Electronic Cinema.

01 — THE ANALOGY

01 — THE ANALOGY

01 — THE ANALOGY

Take electronic music. It didn't replace the orchestra — it opened the room next door. New instruments, new economics, new audiences. The Same Is Happening to Film

Take electronic music. It didn't replace the orchestra — it opened the room next door. New instruments, new economics, new audiences. The Same Is Happening to Film

Take electronic music. It didn't replace the orchestra — it opened the room next door. New instruments, new economics, new audiences. The Same Is Happening to Film

02 — THE CRAFT

02 — THE CRAFT

02 — THE CRAFT

Different format, same craft. We still write, direct, and edit. There's just a new instrument in the room. Faster, leaner, built to return on indie budgets.

Different format, same craft. We still write, direct, and edit. There's just a new instrument in the room. Faster, leaner, built to return on indie budgets.

Different format, same craft. We still write, direct, and edit. There's just a new instrument in the room. Faster, leaner, built to return on indie budgets.

03 — THE STUDIO

03 — THE STUDIO

03 — THE STUDIO

That Changes How a Studio Runs. Smaller, Faster, Every Person Doing the Work of a Department. Every one of them a filmmaker first.

That Changes How a Studio Runs. Smaller, Faster, Every Person Doing the Work of a Department. Every one of them a filmmaker first.

Our Slate · 2026

Our Slate · 2026

Original features.

Original features.

Original features.

Series.

Series.

Series.

Anthologies.

Anthologies.

Anthologies.

A Growing Slate of Original IP. New Titles Every Quarter. Open For Distribution, Licensing, and Co‑production at Every Stage

A Growing Slate of Original IP. New Titles Every Quarter. Open For Distribution, Licensing, and Co‑production at Every Stage

A Growing Slate of Original IP. New Titles Every Quarter. Open For Distribution, Licensing, and Co‑production at Every Stage

8

8

8

Original IPs

Original IPs

Original IPs

3

3

3

Formats

Formats

Formats

Q4

Q4

Q4

First delivery 2026

First delivery 2026

First delivery 2026

Production status

Production status

Production status

In Development

In Development

Teaser Ready

Teaser Ready

First Scene Ready

First Scene Ready

Pilot Ready

Pilot Ready

Feature Films

Feature Films

05 Originals

05 Originals

Animation

Animation

Sci-fi

Sci-fi

Action

Action

Flagship

Flagship

First Scene Ready

First Scene Ready

Animated Feature

Animated Feature

90 min

90 min

Family 6+

Family 6+

Journey to the Ocean

Journey to the Ocean

One crab. One missing claw. One impossible journey to the sea.

One crab. One missing claw. One impossible journey to the sea.

First Scene Ready

In Development

In Development

Feature

Feature

Sci-fi

Sci-fi

Period

Period

Commissioner of Planet Earth

Commissioner of Planet Earth

1920. Aliens arrive. The world unites — all of it.

1920. Aliens arrive. The world unites — all of it.

In Development

In Development

Feature

Feature

Action

Action

Thriller

Thriller

Road of Vengeance

Road of Vengeance

A road. A name to find. A score to settle.

A road. A name to find. A score to settle.

Teaser Ready

In Development

In Development

Feature

Feature

Sci-fi

Sci-fi

Adapted

Adapted

The Night Land

The Night Land

The Sun is dead. Love is not.

The Sun is dead. Love is not.

In Development

In Development

Feature

Feature

Action

Action

Hi-concept

Hi-concept

Hypergun

Hypergun

A Weapon That Rewrites the Rules of War. the Hand That Holds It Rewrites the Rules of Peace

A Weapon That Rewrites the Rules of War. the Hand That Holds It Rewrites the Rules of Peace

Series

Series

01 Original

01 Original

Fantasy

Fantasy

One season per book

One season per book

Anime style

Anime style

Teaser Ready

First Scene Ready

First Scene Ready

Series

Series

Fantasy

Fantasy

Anime

Anime

One season per book

One season per book

The Road Home

The Road Home

Five Strangers From Our World. One Brutal Magical Empire. No Way Back

Adapted from a 12-book bestselling fantasy saga with a million‑strong fanbase. A grounded, low‑magic world where survival depends on politics, trade, and steel—not on prophecies. Each book is a season. The teaser is in full anime style.

Five Strangers From Our World. One Brutal Magical Empire. No Way Back

Adapted from a 12-book bestselling fantasy saga with a million‑strong fanbase. A grounded, low‑magic world where survival depends on politics, trade, and steel—not on prophecies. Each book is a season. The teaser is in full anime style.

Anthology Series

Anthology Series

02 Originals

02 Originals

Christian world

Christian world

Islamic world

Islamic world

Audience-funded

Audience-funded

Pilot Ready

First Scene Ready

First Scene Ready

Christian world

Christian world

7–10 min episodes

7–10 min episodes

Active community

Active community

2 pilots delivered

2 pilots delivered

Third Heven

Third Heven

Ancient stories. Told like you've never seen them before.

Ancient stories. Told like you've never seen them before.

Live now

Live now

Public release

Public release

visit third-heaven.art

In Development

First Scene Ready

First Scene Ready

Islamic world

Islamic world

8 episodes

8 episodes

45 min

45 min

Al-Bukhari: The Architect of Truth

Al-Bukhari: The Architect of Truth

A cognitive thriller about the first engineer of truth — and why his method matters more now than ever.

A cognitive thriller about the first engineer of truth — and why his method matters more now than ever.

Live now

Live now

Public release

Public release

visit albukharifilm.com

How the model works

How the model works

Investors

Investors

From story to franchise, faster. We don’t bet on a single film. We build a portfolio, test before we invest, and scale only what the market validates.


Indie Cinema’s Most Successful Playbook, Applied to a New Format

From story to franchise, faster. We don’t bet on a single film. We build a portfolio, test before we invest, and scale only what the market validates.


Indie Cinema’s Most Successful Playbook, Applied to a New Format

The figures below are industry benchmarks Dr. awn from Blumhouse‑style indie production economics, sized to a steady‑state slate. Individual projects vary in budget, audience, and revenue mix.

The figures below are industry benchmarks Dr. awn from Blumhouse‑style indie production economics, sized to a steady‑state slate. Individual projects vary in budget, audience, and revenue mix.

The slate funnel · per cycle

The slate funnel · per cycle

The slate funnel · per cycle

Steady-state benchmark sized to a Blumhouse-comparable production engine. Year 1–2 funnel will be smaller as the slate ramps; steady state is reached over 3–5 production cycles.

Steady-state benchmark sized to a Blumhouse-comparable production engine. Year 1–2 funnel will be smaller as the slate ramps; steady state is reached over 3–5 production cycles.

Revenue mix · post-2024 lifetime

Revenue mix · post-2024 lifetime

Revenue mix · post-2024 lifetime

Lifetime revenue split for a typical hit in each genre. Individual titles range ±10 percentage points per channel depending on release window, territory mix, and IP strength.

Lifetime revenue split for a typical hit in each genre. Individual titles range ±10 percentage points per channel depending on release window, territory mix, and IP strength.

750

750

Scripts

Scripts

40

40

Teasers

Teasers

12

12

3-5х

Releases

Releases

4

4

5-20х

Hits

Hits

1

1

15-60х

Franchise

Franchise

HIT, DEFINED

HIT, DEFINED

HIT, DEFINED

2.5×+ production budget in theatrical gross.

2.5×+ production budget in theatrical gross.

Used Here As the Indie Theatrical Break‑even Benchmark: a Release That Earns Enough to Cover Production Economics and Contribute Back to the Slate

ROI MULTIPLES

ROI MULTIPLES

ROI MULTIPLES

Revenue-to-budget return across the slate.

Revenue-to-budget return across the slate.

Most releases blend hits and misses. Strong hits tend to cluster around 10×, while franchise originators can reach 30–60× over their lifetime.

FRANCHISE, DEFINED

FRANCHISE, DEFINED

FRANCHISE, DEFINED

IP that produces a sequel or sustained revenue for 5+ years.

IP that produces a sequel or sustained revenue for 5+ years.

A franchise is not just a successful release. It creates repeatable value across sequels, licensing windows, territories, formats, and audience demand.

ONE FRANCHISE PAYS THE SLATE

ONE FRANCHISE PAYS THE SLATE

ONE FRANCHISE PAYS THE SLATE

One franchise-level hit can return the annual production cost.

One franchise-level hit can return the annual production cost.

This is the core slate logic: many low-cost projects are developed, a smaller number are released, and the outlier winner carries the economics of the cycle.

Family Animation

Merch-led, long tail

30%

Theatrical

30%

Theatrical

18%

SVOD & streaming

18%

SVOD & streaming

10%

Home entertainment

10%

Home entertainment

22%

Merchandise & consumer products

22%

Merchandise & consumer products

8%

Library & FAST

8%

Library & FAST

12%

Pay-TV, music, live experiences

12%

Pay-TV, music, live experiences

Family animation flips the model:

Family animation flips the model:

Family animation flips the model:

Merchandise and Licensing Become the Largest Single Line, and the Lifetime Tail Extends Beyond 25 Years

Merchandise and Licensing Become the Largest Single Line, and the Lifetime Tail Extends Beyond 25 Years

Horror & Thriller

Theatrical-led

40%

Theatrical

40%

Theatrical

22%

SVOD & streaming

22%

SVOD & streaming

12%

PVOD & digital sell-through

12%

PVOD & digital sell-through

8%

Pay-TV & international licensing

8%

Pay-TV & international licensing

15%

Library, AVOD & FAST

15%

Library, AVOD & FAST

3%

Merchandise & extensions

3%

Merchandise & extensions

Why these numbers matter. The funnel and revenue figures shown reflect industry benchmarks from comparable indie studios, not Neurowood‑specific projections. They illustrate how the slate model works at scale, what defines a hit, and where the money comes from across the lifetime of an IP asset. Each project in our slate is modeled individually with its own budget, cast, distribution path, and revenue mix—available on request.

Why these numbers matter. The funnel and revenue figures shown reflect industry benchmarks from comparable indie studios, not Neurowood‑specific projections. They illustrate how the slate model works at scale, what defines a hit, and where the money comes from across the lifetime of an IP asset. Each project in our slate is modeled individually with its own budget, cast, distribution path, and revenue mix—available on request.

Filmmakers
across 4 continents.

Filmmakers
across 4 continents.

70+ in-house team members. Fully remote. One operation, distributed across the globe.

70+ in-house team members. Fully remote. One operation, distributed across the globe.

Dmitry Freedmar

Dmitry Freedmar

Founder & CEO

Founder & CEO

LinkedIn

Over 20 years in creative, technology, and analytics. Engineer by training, applying that discipline to film and advertising. Expertise in AI, FinTech, and consumer platforms. Plus 10 years leading marketing for global automotive brands at national scale.

A lifelong cinephile. Sees film not only as art, but as a product at the same time. Audience segments, performance signals, financial modeling. One of the first to see deepfake's potential for cinema. Launched "DeepCaprio" in 2021. 200M views across 10 videos. An early commercial entry into generative AI. Built the team. That team has since crossed 5B views and 12M subscribers.

Built deep FinTech expertise as CMO at VNX in Luxembourg. A platform tokenizing real-world assets, backed by reserves held in Swiss and Liechtenstein banks. Tier-1 partners: Solana Foundation, Arbitrum Foundation, Cumberland, Sygnum, SwissBorg, Wirex, Bitstamp, and many others.

Building MediaTech platforms since 2015. Inside one of the world's leading creative agencies, TBWA (Omnicom), ran Nissan's regional digital transformation. 150 dealerships across 3 countries managed as one unified market. A complex technology platform launched in 6 months. Same years: contributed to strategy and BTL/ATL projects for Adidas, Michelin, Infiniti, and Formula E.

Neurowood is an AI film studio. Inside it, as a separate layer and project, he is building Plopcorn — a B2B MediaTech layer for AI-native production. Studios make films. We also build the rails the next generation of studios will run on.

Over 20 years in creative, technology, and analytics. Engineer by training, applying that discipline to film and advertising. Expertise in AI, FinTech, and consumer platforms. Plus 10 years leading marketing for global automotive brands at national scale.

A lifelong cinephile. Sees film not only as art, but as a product at the same time. Audience segments, performance signals, financial modeling. One of the first to see deepfake's potential for cinema. Launched "DeepCaprio" in 2021. 200M views across 10 videos. An early commercial entry into generative AI. Built the team. That team has since crossed 5B views and 12M subscribers.

Built deep FinTech expertise as CMO at VNX in Luxembourg. A platform tokenizing real-world assets, backed by reserves held in Swiss and Liechtenstein banks. Tier-1 partners: Solana Foundation, Arbitrum Foundation, Cumberland, Sygnum, SwissBorg, Wirex, Bitstamp, and many others.

Building MediaTech platforms since 2015. Inside one of the world's leading creative agencies, TBWA (Omnicom), ran Nissan's regional digital transformation. 150 dealerships across 3 countries managed as one unified market. A complex technology platform launched in 6 months. Same years: contributed to strategy and BTL/ATL projects for Adidas, Michelin, Infiniti, and Formula E.

Neurowood is an AI film studio. Inside it, as a separate layer and project, he is building Plopcorn — a B2B MediaTech layer for AI-native production. Studios make films. We also build the rails the next generation of studios will run on.

Co-founder, COO

Co-founder, COO

Identity disclosed under NDA · available to qualified investors

15+ years in IT. A serial technology entrepreneur. Deep expertise in building scalable platforms across AI, blockchain, web, and mobile. For years led his own development company, which became the #1 firm for blockchain and AI development in New York — 400+ projects delivered, clients across the US, Europe, and Australia, and a team of 70+ across four continents.

Combined market cap of startups he helped build as a technical partner and mentor — approximately $1B. DAI.com Best Mentor of 2022. Forbes columnist.

At Neurowood, leads operations, technology, and investor relations. Builds the internal system of the studio: processes, team, financial discipline, and capital. Architect of Plopcorn, the internal MediaTech layer that powers production.

Understands creative work from the inside. His first entrepreneurial project was his own string quartet. Began life as a violinist, a laureate of international competitions. Closed the case in 2010 and focused on development and entrepreneurship. A rare combination for a technical founder of an AI-native film studio.

Identity disclosed under NDA · available to qualified investors

15+ years in IT. A serial technology entrepreneur. Deep expertise in building scalable platforms across AI, blockchain, web, and mobile. For years led his own development company, which became the #1 firm for blockchain and AI development in New York — 400+ projects delivered, clients across the US, Europe, and Australia, and a team of 70+ across four continents.

Combined market cap of startups he helped build as a technical partner and mentor — approximately $1B. DAI.com Best Mentor of 2022. Forbes columnist.

At Neurowood, leads operations, technology, and investor relations. Builds the internal system of the studio: processes, team, financial discipline, and capital. Architect of Plopcorn, the internal MediaTech layer that powers production.

Understands creative work from the inside. His first entrepreneurial project was his own string quartet. Began life as a violinist, a laureate of international competitions. Closed the case in 2010 and focused on development and entrepreneurship. A rare combination for a technical founder of an AI-native film studio.

The studio

70+

70+

70+

In-house team across the globe

In-house team across the globe

3-6

3-6

3-6

Feature filmsper year capacity

Feature filmsper year capacity

$0.5-2M

$0.5-2M

$0.5-2M

Per feature budget range

Per feature budget range

5

5

5

Years in
AI Production

Years in AI Production

Delaware

Delaware

Delaware

Holding · IP · capital structure

Holding · IP · capital structure

EU

EU

EU

Management · technology · creative

Management · technology · creative

UK · USA

UK · USA

Story · IP development · partnerships

Story · IP development · partnerships

UAE

UAE

Operations · finance

Operations · finance

Asia · CIS · LatAm

Asia · CIS · LatAm

AI creators · post-production · platform engineering

AI creators · post-production · platform engineering

India

India

Engineering

Engineering

How the studio runs

How the studio runs

Subtitle

Link

Link

Link

Subtitle

Link

Link

Link

Subtitle

Link

Link

Link

Contact

Contact

Get in touch

Get in touch

Investment inquiries, partnership proposals, or project submissions — we'd love to hear from you

Investment inquiries, partnership proposals, or project submissions — we'd love to hear from you

Investment inquiries, partnership proposals, or project submissions — we'd love to hear from you

Contact

Get in touch

Investment inquiries, partnership proposals, or project submissions — we'd love to hear from you