AI-native film & IP production
AI-native film & IP production
Hit-driven cinema.
Indie budgets.
Built to return.
Hit-driven cinema.
Indie budgets.
Built to return.
Hit-driven cinema.
Indie budgets.
Built to return.
Original features, animation, and series. New titles every quarter. Open for distribution, licensing, and co-production.
Original features, animation, and series. New titles every quarter. Open for distribution, licensing, and co-production.
Original features, animation, and series. New titles every quarter. Open for distribution, licensing, and co-production.
Made by people.
Produced with AI.
Made by people.
Produced with AI.
Made by people.
Produced with AI.
A new format of cinema.
We call it Electronic Cinema.
A new format of cinema.
We call it Electronic Cinema.
01 — THE ANALOGY
01 — THE ANALOGY
01 — THE ANALOGY
Take electronic music. It didn't replace the orchestra — it opened the room next door. New instruments, new economics, new audiences. The Same Is Happening to Film
Take electronic music. It didn't replace the orchestra — it opened the room next door. New instruments, new economics, new audiences. The Same Is Happening to Film
Take electronic music. It didn't replace the orchestra — it opened the room next door. New instruments, new economics, new audiences. The Same Is Happening to Film
02 — THE CRAFT
02 — THE CRAFT
02 — THE CRAFT
Different format, same craft. We still write, direct, and edit. There's just a new instrument in the room. Faster, leaner, built to return on indie budgets.
Different format, same craft. We still write, direct, and edit. There's just a new instrument in the room. Faster, leaner, built to return on indie budgets.
Different format, same craft. We still write, direct, and edit. There's just a new instrument in the room. Faster, leaner, built to return on indie budgets.
03 — THE STUDIO
03 — THE STUDIO
03 — THE STUDIO
That Changes How a Studio Runs. Smaller, Faster, Every Person Doing the Work of a Department. Every one of them a filmmaker first.
That Changes How a Studio Runs. Smaller, Faster, Every Person Doing the Work of a Department. Every one of them a filmmaker first.
Our Slate · 2026
Our Slate · 2026
Original features.
Original features.
Original features.
Series.
Series.
Series.
Anthologies.
Anthologies.
Anthologies.
A Growing Slate of Original IP. New Titles Every Quarter. Open For Distribution, Licensing, and Co‑production at Every Stage
A Growing Slate of Original IP. New Titles Every Quarter. Open For Distribution, Licensing, and Co‑production at Every Stage
A Growing Slate of Original IP. New Titles Every Quarter. Open For Distribution, Licensing, and Co‑production at Every Stage
8
8
8
Original IPs
Original IPs
Original IPs
3
3
3
Formats
Formats
Formats
Q4
Q4
Q4
First delivery 2026
First delivery 2026
First delivery 2026
Production status
Production status
Production status
In Development
In Development
Teaser Ready
Teaser Ready
First Scene Ready
First Scene Ready
Pilot Ready
Pilot Ready
Feature Films
Feature Films
05 Originals
05 Originals
Animation
Animation
Sci-fi
Sci-fi
Action
Action
Flagship
Flagship
First Scene Ready
First Scene Ready
Animated Feature
Animated Feature
90 min
90 min
Family 6+
Family 6+
Journey to the Ocean
Journey to the Ocean
One crab. One missing claw. One impossible journey to the sea.
One crab. One missing claw. One impossible journey to the sea.
First Scene Ready
In Development
In Development
Feature
Feature
Sci-fi
Sci-fi
Period
Period
Commissioner of Planet Earth
Commissioner of Planet Earth
1920. Aliens arrive. The world unites — all of it.
1920. Aliens arrive. The world unites — all of it.
In Development
In Development
Feature
Feature
Action
Action
Thriller
Thriller
Road of Vengeance
Road of Vengeance
A road. A name to find. A score to settle.
A road. A name to find. A score to settle.
Teaser Ready
In Development
In Development
Feature
Feature
Sci-fi
Sci-fi
Adapted
Adapted
The Night Land
The Night Land
The Sun is dead. Love is not.
The Sun is dead. Love is not.
In Development
In Development
Feature
Feature
Action
Action
Hi-concept
Hi-concept
Hypergun
Hypergun
A Weapon That Rewrites the Rules of War. the Hand That Holds It Rewrites the Rules of Peace
A Weapon That Rewrites the Rules of War. the Hand That Holds It Rewrites the Rules of Peace
Series
Series
01 Original
01 Original
Fantasy
Fantasy
One season per book
One season per book
Anime style
Anime style
Teaser Ready
First Scene Ready
First Scene Ready
Series
Series
Fantasy
Fantasy
Anime
Anime
One season per book
One season per book
The Road Home
The Road Home
Five Strangers From Our World. One Brutal Magical Empire. No Way Back
Adapted from a 12-book bestselling fantasy saga with a million‑strong fanbase. A grounded, low‑magic world where survival depends on politics, trade, and steel—not on prophecies. Each book is a season. The teaser is in full anime style.
Five Strangers From Our World. One Brutal Magical Empire. No Way Back
Adapted from a 12-book bestselling fantasy saga with a million‑strong fanbase. A grounded, low‑magic world where survival depends on politics, trade, and steel—not on prophecies. Each book is a season. The teaser is in full anime style.
Anthology Series
Anthology Series
02 Originals
02 Originals
Christian world
Christian world
Islamic world
Islamic world
Audience-funded
Audience-funded
Pilot Ready
First Scene Ready
First Scene Ready
Christian world
Christian world
7–10 min episodes
7–10 min episodes
Active community
Active community
2 pilots delivered
2 pilots delivered
Third Heven
Third Heven
Ancient stories. Told like you've never seen them before.
Ancient stories. Told like you've never seen them before.
Live now
Live now
Public release
Public release
visit third-heaven.art
In Development
First Scene Ready
First Scene Ready
Islamic world
Islamic world
8 episodes
8 episodes
45 min
45 min
Al-Bukhari: The Architect of Truth
Al-Bukhari: The Architect of Truth
A cognitive thriller about the first engineer of truth — and why his method matters more now than ever.
A cognitive thriller about the first engineer of truth — and why his method matters more now than ever.
Live now
Live now
Public release
Public release
visit albukharifilm.com
How the model works
How the model works
Investors
Investors
From story to franchise, faster. We don’t bet on a single film. We build a portfolio, test before we invest, and scale only what the market validates.
Indie Cinema’s Most Successful Playbook, Applied to a New Format
From story to franchise, faster. We don’t bet on a single film. We build a portfolio, test before we invest, and scale only what the market validates.
Indie Cinema’s Most Successful Playbook, Applied to a New Format
The figures below are industry benchmarks Dr. awn from Blumhouse‑style indie production economics, sized to a steady‑state slate. Individual projects vary in budget, audience, and revenue mix.
The figures below are industry benchmarks Dr. awn from Blumhouse‑style indie production economics, sized to a steady‑state slate. Individual projects vary in budget, audience, and revenue mix.
The slate funnel · per cycle
The slate funnel · per cycle
The slate funnel · per cycle
Steady-state benchmark sized to a Blumhouse-comparable production engine. Year 1–2 funnel will be smaller as the slate ramps; steady state is reached over 3–5 production cycles.
Steady-state benchmark sized to a Blumhouse-comparable production engine. Year 1–2 funnel will be smaller as the slate ramps; steady state is reached over 3–5 production cycles.
Revenue mix · post-2024 lifetime
Revenue mix · post-2024 lifetime
Revenue mix · post-2024 lifetime
Lifetime revenue split for a typical hit in each genre. Individual titles range ±10 percentage points per channel depending on release window, territory mix, and IP strength.
Lifetime revenue split for a typical hit in each genre. Individual titles range ±10 percentage points per channel depending on release window, territory mix, and IP strength.
750
750
Scripts
Scripts
40
40
Teasers
Teasers
12
12
3-5х
Releases
Releases
4
4
5-20х
Hits
Hits
1
1
15-60х
Franchise
Franchise
HIT, DEFINED
HIT, DEFINED
HIT, DEFINED
2.5×+ production budget in theatrical gross.
2.5×+ production budget in theatrical gross.
Used Here As the Indie Theatrical Break‑even Benchmark: a Release That Earns Enough to Cover Production Economics and Contribute Back to the Slate
ROI MULTIPLES
ROI MULTIPLES
ROI MULTIPLES
Revenue-to-budget return across the slate.
Revenue-to-budget return across the slate.
Most releases blend hits and misses. Strong hits tend to cluster around 10×, while franchise originators can reach 30–60× over their lifetime.
FRANCHISE, DEFINED
FRANCHISE, DEFINED
FRANCHISE, DEFINED
IP that produces a sequel or sustained revenue for 5+ years.
IP that produces a sequel or sustained revenue for 5+ years.
A franchise is not just a successful release. It creates repeatable value across sequels, licensing windows, territories, formats, and audience demand.
ONE FRANCHISE PAYS THE SLATE
ONE FRANCHISE PAYS THE SLATE
ONE FRANCHISE PAYS THE SLATE
One franchise-level hit can return the annual production cost.
One franchise-level hit can return the annual production cost.
This is the core slate logic: many low-cost projects are developed, a smaller number are released, and the outlier winner carries the economics of the cycle.
Family Animation
Merch-led, long tail
30%
Theatrical
30%
Theatrical
18%
SVOD & streaming
18%
SVOD & streaming
10%
Home entertainment
10%
Home entertainment
22%
Merchandise & consumer products
22%
Merchandise & consumer products
8%
Library & FAST
8%
Library & FAST
12%
Pay-TV, music, live experiences
12%
Pay-TV, music, live experiences
Family animation flips the model:
Family animation flips the model:
Family animation flips the model:
Merchandise and Licensing Become the Largest Single Line, and the Lifetime Tail Extends Beyond 25 Years
Merchandise and Licensing Become the Largest Single Line, and the Lifetime Tail Extends Beyond 25 Years
Horror & Thriller
Theatrical-led
40%
Theatrical
40%
Theatrical
22%
SVOD & streaming
22%
SVOD & streaming
12%
PVOD & digital sell-through
12%
PVOD & digital sell-through
8%
Pay-TV & international licensing
8%
Pay-TV & international licensing
15%
Library, AVOD & FAST
15%
Library, AVOD & FAST
3%
Merchandise & extensions
3%
Merchandise & extensions
Why these numbers matter. The funnel and revenue figures shown reflect industry benchmarks from comparable indie studios, not Neurowood‑specific projections. They illustrate how the slate model works at scale, what defines a hit, and where the money comes from across the lifetime of an IP asset. Each project in our slate is modeled individually with its own budget, cast, distribution path, and revenue mix—available on request.
Why these numbers matter. The funnel and revenue figures shown reflect industry benchmarks from comparable indie studios, not Neurowood‑specific projections. They illustrate how the slate model works at scale, what defines a hit, and where the money comes from across the lifetime of an IP asset. Each project in our slate is modeled individually with its own budget, cast, distribution path, and revenue mix—available on request.
Filmmakers
across 4 continents.
Filmmakers
across 4 continents.
70+ in-house team members. Fully remote. One operation, distributed across the globe.
70+ in-house team members. Fully remote. One operation, distributed across the globe.

Dmitry Freedmar
Dmitry Freedmar
Founder & CEO
Founder & CEO
Over 20 years in creative, technology, and analytics. Engineer by training, applying that discipline to film and advertising. Expertise in AI, FinTech, and consumer platforms. Plus 10 years leading marketing for global automotive brands at national scale.
A lifelong cinephile. Sees film not only as art, but as a product at the same time. Audience segments, performance signals, financial modeling. One of the first to see deepfake's potential for cinema. Launched "DeepCaprio" in 2021. 200M views across 10 videos. An early commercial entry into generative AI. Built the team. That team has since crossed 5B views and 12M subscribers.
Built deep FinTech expertise as CMO at VNX in Luxembourg. A platform tokenizing real-world assets, backed by reserves held in Swiss and Liechtenstein banks. Tier-1 partners: Solana Foundation, Arbitrum Foundation, Cumberland, Sygnum, SwissBorg, Wirex, Bitstamp, and many others.
Building MediaTech platforms since 2015. Inside one of the world's leading creative agencies, TBWA (Omnicom), ran Nissan's regional digital transformation. 150 dealerships across 3 countries managed as one unified market. A complex technology platform launched in 6 months. Same years: contributed to strategy and BTL/ATL projects for Adidas, Michelin, Infiniti, and Formula E.
Neurowood is an AI film studio. Inside it, as a separate layer and project, he is building Plopcorn — a B2B MediaTech layer for AI-native production. Studios make films. We also build the rails the next generation of studios will run on.
Over 20 years in creative, technology, and analytics. Engineer by training, applying that discipline to film and advertising. Expertise in AI, FinTech, and consumer platforms. Plus 10 years leading marketing for global automotive brands at national scale.
A lifelong cinephile. Sees film not only as art, but as a product at the same time. Audience segments, performance signals, financial modeling. One of the first to see deepfake's potential for cinema. Launched "DeepCaprio" in 2021. 200M views across 10 videos. An early commercial entry into generative AI. Built the team. That team has since crossed 5B views and 12M subscribers.
Built deep FinTech expertise as CMO at VNX in Luxembourg. A platform tokenizing real-world assets, backed by reserves held in Swiss and Liechtenstein banks. Tier-1 partners: Solana Foundation, Arbitrum Foundation, Cumberland, Sygnum, SwissBorg, Wirex, Bitstamp, and many others.
Building MediaTech platforms since 2015. Inside one of the world's leading creative agencies, TBWA (Omnicom), ran Nissan's regional digital transformation. 150 dealerships across 3 countries managed as one unified market. A complex technology platform launched in 6 months. Same years: contributed to strategy and BTL/ATL projects for Adidas, Michelin, Infiniti, and Formula E.
Neurowood is an AI film studio. Inside it, as a separate layer and project, he is building Plopcorn — a B2B MediaTech layer for AI-native production. Studios make films. We also build the rails the next generation of studios will run on.
Co-founder, COO
Co-founder, COO
Identity disclosed under NDA · available to qualified investors
15+ years in IT. A serial technology entrepreneur. Deep expertise in building scalable platforms across AI, blockchain, web, and mobile. For years led his own development company, which became the #1 firm for blockchain and AI development in New York — 400+ projects delivered, clients across the US, Europe, and Australia, and a team of 70+ across four continents.
Combined market cap of startups he helped build as a technical partner and mentor — approximately $1B. DAI.com Best Mentor of 2022. Forbes columnist.
At Neurowood, leads operations, technology, and investor relations. Builds the internal system of the studio: processes, team, financial discipline, and capital. Architect of Plopcorn, the internal MediaTech layer that powers production.
Understands creative work from the inside. His first entrepreneurial project was his own string quartet. Began life as a violinist, a laureate of international competitions. Closed the case in 2010 and focused on development and entrepreneurship. A rare combination for a technical founder of an AI-native film studio.
Identity disclosed under NDA · available to qualified investors
15+ years in IT. A serial technology entrepreneur. Deep expertise in building scalable platforms across AI, blockchain, web, and mobile. For years led his own development company, which became the #1 firm for blockchain and AI development in New York — 400+ projects delivered, clients across the US, Europe, and Australia, and a team of 70+ across four continents.
Combined market cap of startups he helped build as a technical partner and mentor — approximately $1B. DAI.com Best Mentor of 2022. Forbes columnist.
At Neurowood, leads operations, technology, and investor relations. Builds the internal system of the studio: processes, team, financial discipline, and capital. Architect of Plopcorn, the internal MediaTech layer that powers production.
Understands creative work from the inside. His first entrepreneurial project was his own string quartet. Began life as a violinist, a laureate of international competitions. Closed the case in 2010 and focused on development and entrepreneurship. A rare combination for a technical founder of an AI-native film studio.
The studio
70+
70+
70+
In-house team across the globe
In-house team across the globe
3-6
3-6
3-6
Feature filmsper year capacity
Feature filmsper year capacity
$0.5-2M
$0.5-2M
$0.5-2M
Per feature budget range
Per feature budget range
5
5
5
Years in
AI Production
Years in AI Production
Delaware
Delaware
Delaware
Holding · IP · capital structure
Holding · IP · capital structure
EU
EU
EU
Management · technology · creative
Management · technology · creative
UK · USA
UK · USA
Story · IP development · partnerships
Story · IP development · partnerships
UAE
UAE
Operations · finance
Operations · finance
Asia · CIS · LatAm
Asia · CIS · LatAm
AI creators · post-production · platform engineering
AI creators · post-production · platform engineering
India
India
Engineering
Engineering
How the studio runs
How the studio runs
Subtitle
Link
Link
Link
Subtitle
Link
Link
Link
Subtitle
Link
Link
Link
Contact
Contact
Get in touch
Get in touch
Investment inquiries, partnership proposals, or project submissions — we'd love to hear from you
Investment inquiries, partnership proposals, or project submissions — we'd love to hear from you
Investment inquiries, partnership proposals, or project submissions — we'd love to hear from you
Contact
Get in touch
Investment inquiries, partnership proposals, or project submissions — we'd love to hear from you